Queer Masculinity in Porn: Heavenly Spire, Stepfather’s Secret, & More

Weekly, rife and I have a private little ritual on Saturday mornings where we make pancakes and watch porn. I’m not sure exactly how it started, we probably did that one Saturday and decided we should do it again. (I have discovered that I don’t really like watching porn while I’m eating, it makes my mouth feel all weird. So the porn and pancakes are separate. Just in case you were wondering.)

I don’t have much of a history of boy-on-boy action, but being involved with this boy has made me more curious about gay porn. I’ve watched a lot of queer porn over the years, with lots of trans folks and genderqueer hotties and butches and femmes, but not a lot of cis guys. (Also, have you noticed that porn with trans women is kind of booming? Maybe it’s just because I started following Chelsea Poe, but I am really inspired by the activism and visibility that’s been happening. And the fucking hotness.)

So the boy and I have been exploring all sorts of fag porn, looking into the things we think we’d like, from leather BDSM porn to daddy/boy explorations.

So far, Stepfather’s Secret on men.com has been my favorite, though “Sexual Education” with James Darling and Allen Silver on Pinklabel also stands out.

I’m surprised how much tenderness is depicted. I suppose partly it’s because of the genres I’ve been primarily watching—leather and daddy/boy—I think those tend to be more tender than average. But I’ve been really touched by the variety of depictions of masculinity.

I’ve also noticed the wide range of types of bodies. Perhaps it’s that the big-ness of men and masculine bodies is what’s fetishized, while with women (and feminine bodies) usually the slightness, thinness, and smallness is fetishized, but I’ve been enjoying seeing the sizes depicted as desirable and sexy.

(I still struggle with this, personally, around my own body. Sometimes I can fetishize the size—that I’m kind of big, thick, heavy, whatever word you want to use—but most of the time I feel bulky and awkward. I know rife and other lovers I’ve had have specifically commented on my size or shape as desirable, so it’s not that I don’t exactly see it reflected, but I don’t feel it. I remember the relief of starting to shop in the men’s department: I went from an XL in women’s to a M or S in men’s, and that just felt like such a more accurate size for me. Plus, the clothes fit my body better, or fit my energetics better, or something, and wow it was such a relief. It’s been more than 15 years now since I officially made that transition to butch.)

Maybe the tenderness in gay porn shouldn’t be surprising, particularly as most of my critique of masculinity comes from the male gender role that tends to be heteronormative, but as a queer feminist butch dyke, I’ve often been critical of the gay depictions of masculinity too, and made assumptions that it was more like the normative male gender role than it was radical and transgressive. But hey, I like to be wrong about things like that! (And certainly there’s plenty of gay porn that reinforces normative gender roles—I just happened not to pick it up during porn and pancakes, apparently. I’ll try harder.)

Really my first introduction to depictions of masculinity in porn was through Heavenly Spire, launched in August 2010 by filmmaker Shine Louise Houston, the director and producer behind the revolutionary queer porn Crash Pad Series. Heavenly Spire is short films, released on Sundays (get it? Spire? Heavenly?) devoted to all kinds of men and their sexuality.

At the time, it was new, raw, and beautiful—and it still is. I don’t know about you, but watching it over the past few years has changed the way I think about male sexuality and erotics.

I interviewed Shine for Carnal Nation when it was first released, but Carnal Nation has since folded and the interview is now only found in the wayback machine. So here it is, reprinted, because the first volume of Heavenly Spire has been compiled and is available from PinkLabel.tv—and it is stunning.


Heavenly Spire: Interview with Shine Louise Houston

Reprinted from Carnal Nation, August 2010

Filmmaker Shine Louise Houston, who brought you the queer porn Crash Pad Series web episodes and the feature-length films Champion, The Wild Search, and Superfreak, has started a new online web project depicting masculine sexualities in a visual medium. Heavenly Spire began in late July. I gladly sat down for a long-distance chat with her about the new site, masculinity, the personal things that had to happen in order for her to embark on this project, and what’s next for her and her growing companies.

Sinclair: I’m excited about Heavenly Spire, the new project! I haven’t seen behind the scenes yet, but the stuff that’s up is lovely.
Shine: The format is different from Crash Pad Series; there are no interviews, no behind the scenes. I’m not too sure if I’m going to do that, I’m going to see how the site goes. We shoot lean on this project, there’s not a whole lot of extras.

What do you mean by lean? You don’t spend a lot of time sitting around, hanging out with them, asking them what they think about sex?
Yeah. The interviews I do for Heavenly Spire are more really about delving into what their sexualities are, what their turn-ons are, has it changed over the years, what do they do now, physically what do they like about themselves, or physically what do they like about each other. I’m approaching it from a totally different angle than I approached Crash Pad Series.

Is that angle also about a focus on masculinity?
Yeah, I really wanted to start thinking about masculinity, and asking whether masculine sexuality is different. Heavenly Spire is a personal project for me. Accepting my own masculinity has really allowed me to feel okay with desire for masculine people. Exploring it on the site really looks at male bodies the way I want to. Maybe not everybody feels the way I do, but this is good for me. For a long time, I just didn’t get guys. But as I got more comfortable, I realized they’re not that different, and they’re not all that scary, and actually they’re pretty cool. And actually, penises are pretty cool. But it’s been a long process, and eventually bringing that to the screen is just where the process is supposed to go.

It makes sense that you would take your own creative medium to explore that sort of thing. What about your own personal masculinity process? What has that looked like for you? Has it been a long time coming, have you always been a tomboy?
It’s been a long process, definitely influenced by time and location. I grew up as a tomboy, but I also remember having favorite dresses. In my twenties, I definitely knew that I liked girls, and I was into the dyke/lesbian identity, but at the time – this was the early 90s in southern California – it was very much anti-butch/femme, pro-androgyny, and that had an influence on me. It was a very cool scene, and things were very open about sexuality. But right after that, mid-90s, I moved to San Francisco, and at that time, it was this huge butch/femme revival.

I knew I was definitely not femme, but I felt a lot of pressure to be one or the other. So the kind of masculinity I kept bumping into within that community was this really intense macho masculinity. I realized trying to put on that performance, that I’m not very macho. I’m really a fag. I went through my fag period, where I dated other fag dykes, but then I think the next big jump for me was realizing that I was into femmes! I remember looking at this girl, and her earrings, and they were kind of … bouncing. And it clicked. So that started me exploring a more masculine, pansexual identity. I’m definitely on the more masculine side, I’m kind of swishy, and I definitely like femmes. In the last six or seven years, I’ve really become comfortable with where I am: my masculinity, my sexuality. I needed to have a strong root in masculinity in order to take on a project and not be freaked out.

Freaked out by worrying about what you were going to be depicting, or not being solid enough in it?
And just not being intimidated by guys! At this point I’m so comfortable with myself, I’m not intimidated to ask guys to take their clothes off.

Do you think the recent work on masculinity has set the stage for this kind of project to be launched? It seems time-specific to me, that maybe we didn’t have enough radical depictions of masculinity, especially not of male sexuality, even four or five years ago.
Yeah, the queer movement, the trans movement – all of the work is completely reshaping what we think about sexuality and how we manage that in our lives. There’s a lot more acceptance for genderqueer and performative genders. The project is a lot about timing—a lot of people have done tremendous work at softening up the ground for it to come along.

Going back to my personal experience, I’m affected by all the waves of thought that have been coming through the Bay Area. There are a lot of people in the porn community who are really changing how they depict sexuality, whether it’s gay, straight, lesbian, bi. This is a drop in the bucket of a larger movement that is sweeping across the porn industry. When I went to Berlin for the porn film festival, I really felt that. I’m not alone, this is going to explode across the industry. And when I got back to the United States, it seemed like maybe it wasn’t here yet, but it’s coming.

It definitely seems like we still need work on the depiction of masculinity in porn.
Definitely. There’s also a new project I’m going to start working on in August that’s definitely going to challenge male homophobia while at the same time satisfying homosexual desire in men who might not otherwise get to experience it. There’s going to be some interesting stuff happening in the next year.

Do you expect some backlash for this? Have you had backlash for including cis men, like Micky Mod, in Crash Pad?
We have a very polite question in the forums in Crash Pad Series, and before I even had the chance to respond, other members of the site said pretty much everything I would have said. And the person who asked the question responded, “Oh, okay.”

And that was it?
Yeah, that was it! I was at the last Feminist Porn Awards, in Toronto, and they screened that scene, Mickey and Shawn. And I answered some questions about them, everybody seemed to like it. But then it won the Viewer’s Choice Award! So I thought, okay, the audience is listening! They loved it.

I also wonder if this is more part of queer women’s culture, not necessarily gay culture. A lot of butch women are watching fag porn. When I started out watching porn, my favorite pornos were fags. This community has been able to really transcend their fantasies, so they can apply to any type of body. They aren’t restricted to just one. In gay culture, which I’m learning more about, they don’t watch dyke porn. We watch fag porn, but they don’t watch dyke porn. So there’s a realm that they haven’t gone into yet, they haven’t applied their fantasies to different bodies yet. Heavenly Spire looks at masculine people, but not every male has a dick. So this is about pushing their boundaries, pushing the male viewer boundaries. I bet they’ll think it’s hot. We’ll see—the site’s been up less than a month.

I’ve only seen the clips so far, and the clips are teasers, but it seems a little less focused on cock-centricity than I would have imagined.
Well—it’s definitely about cock. But what I really want to capture is a person having a good time, really having genuine pleasure, and to translate that into a visual medium. And it’s about building a narrative about the person’s relationship to their own body or to the other person that they’re having sex with. And I’m just having fun with visual language. It’s true, the trailers are very much teasers, and they don’t give you much.

But they’re beautiful.
The clips are, according to porn standards, a little short, but I’ve been struggling with length. So with this, I decided I’m going to cut it the way I think it should be cut, and I’m editing it so the viewer doesn’t get bored. Really picking out the best parts, and splicing the best parts together into a narrative. Sometimes I feel like, yeah, this thing is half an hour long, but is it pretty, and is it working? So this is a bit of a self-indulgent project, because I’m really letting myself go with my ideas, asking myself, how long should it be? What makes it good?

Do you anticipate it having lots of episodes, like Crash Pad does? Or is it a different structure?
No, we update every Sunday. It’s different from Crash Pad, because each week is something new, there’s no behind the scenes, just something new once a week.

If a new performer is coming in, how do you tell if they’re going to be a good porn star? Did you have a sense that Mickey Mod was going to stick around and be amazing?
Not really. Mostly, we have model applications and if we can make a date, we go for it. Some people who work with us find it fun and want to do it again. Dylan Ryan, Jiz Lee, Shawn [Sid Blakovich] all did Crash Pad, and are now doing awesome stuff. We’re the launching pad! Shoot with us, we’re good people, we’re a good place to start.

Is it easy to pair people together? Or do they do that themselves?
For Crash Pad, I work with a booking company who does all of that now. I used to do that, but it’s work. But Heavenly Spire is a different approach. With men, and a gay site, I’m really interested in getting couples who already know each other and already have that connection. People apply, so if you apply by yourself you’re going to be solo. If you want to perform as a couple you have to apply as a couple. I want to make sure the couples like each other. Especially since so much of the gay male porn is all about fucking, I want this to be about connection. I want to see two big dudes who are totally tender with each other.

Are you finding that guys are interested?
As viewers or as participants? We’ve had a decent amount of model applications. We paused the project for a while, but we started to get this influx of models, both trans men and cis men alike, both solo or couples. I have some speculation about viewers, but I’m not 100% sure who is going to be our audience for this new site. I kind of wonder if it’s not going to be straight guys. I think they’ll like it. But gay men, I’m not sure if they’ll like the format. Possibly straight women as well. I’m not sure how it’s going to shape up.

What else do you still want to film?
I have three features I’d like to do, but right now the company is growing, expanding, changing. We’re kind of in the teenage phase, not super big, but not tiny either. So in the future that’ll help us get more what we want with big features. Right now, we’ve got the web projects going on, short videos, and that’s setting the foundation to create these larger features. We’ve really pushed the limits of what porn is. It’ll be self-evident, when I actually announce those projects.

Do you have an over-arching mission for your work, or goals you set out to accomplish? Or was it born out of a love for filming people fucking?
When I first started filming I didn’t realize this was how the mission statement was going to be, but the mission statement came later: We’re dedicated to making really well produced, beautiful images that represent queer sexuality. That was the driving force, but I continue to push myself as a filmmaker, and pornographer (though I identify less with that word). I want to make good stuff, and I want to make good stuff about sex. Everything I do is moving in that direction.

Do you see it as political and social activism?
It is … and here’s the weird thing. I feel that if I approach it as social activism head on, I’m going to do it wrong. I’ll stick my foot in my mouth! So I internalize my own politics, and turn them to the creative mill, and then spit them out and use them in a project. And that way I fulfill certain goals. But if I say, first, that I’m going to do political activism, then I miss the mark of what I really wanted to accomplish. So I take the personal and churn it through my internal politics, and that moves me in the right direction.

Have you had trouble with BDSM being misconstrued as abuse in your work?
Not from people on the site, but at the film festivals. I was at the Hamburg festival, and people walked out. It seems like that’s prevalent in places where they’re not doing the same things we’re doing here. I get really weird stuff about race, and violence. But I feel like ten years from now, it won’t be a problem.

Do you struggle with taking the criticism personally?
I try not to … I think maybe every six months I Google myself. I can’t do it on a regular basis, I have a fragile ego and I’m harder on myself than anyone. There can be fifty great reviews for what I do, but if there’s one bad one, that’s the one I remember. I try to focus on what’s working. If we keep showing at festivals, and people keep downloading it, somebody must like it.

And if you’re satisfied with the work you’re putting out there, how your art is growing, and if you’re continuing to get opportunities, that might be a better scale. But it’s hard! Especially when the work is so personal, when the work we put out into the world is about our own bodies, and our own desires, and our own deepest, splayed open selves, it can be really easy to take in the criticism.
Yeah.

I ask about the problem with BDSM and abuse because I have actually seen queer porn that triggered me—I’m not easily triggered, it really surprised me. But I don’t see that in your work at all.
It might just be because I have such intense aversions to bleed over. Things stay very clear in my own life. I definitely pay attention. If I ever see something that makes me wince, I know it’s not quite right.

I think that exhausts my questions. Is there anything else I should know?
Check out the site! Check out Crash Pad Series, and the new Heavenly Spire.

I’m looking forward to seeing more on Heavenly Spire. It’s a pleasure to talk to you, thanks so much.

February Feature: Crash Pad Series & strap-on queer porn scenes you gotta see

Hello! This is your monthly affiliate feature, where I share with you some of the reasons you should indulge in a particular product or service. This month, February 2014, it’s going to be Pink & White, fine makers of such queer porn as the Crash Pad Series, Pink & White Productions, Pink Label (streaming on demand), and Heavenly Spire.

I’ve had a Crash Pad membership for years. Shine Louise Houston makes some of the fucking finest queer porn currently available—and I don’t just say that because she features queers of all genders, all body sizes, all races and skin tones, and all kinds of kink. I also say that because I’ve seen boatloads of queer porn, and her stuff is, quite frankly, the very best.

Remember back when the internet was a baby wee “net” and so of course was 65% full of porn? I drew the (mistaken) conclusion that all people who made porn were somehow exploitative, so therefore I would never pay money for it.

But then, a few years later … I saw this:

And I watched it over, and over, and over and over and overandoverandover. It was the. Hottest. Thing. I’d. Ever. Seen.

(And because it was such a significant moment in my sexy timeline, and I watched it two twenty thousand times, I STILL think it is incredibly fucking hot.)

It took me a while before I actually saw the full-length DVD. A year or two? But I didn’t forget this trailer. And then after I saw the actual DVD, I thought … this is a game-changer. You know what this means? There is actually good queer porn.

I’d never seen that kind of queer dyke porn with that kind of intensity and strap-on play in any place other than, well, SIR Productions (like Sugar High Glitter City and Hard Love and How to Fuck in High Heels). I was impressed. I mean like really impressed.

And … well, then I started paying for porn.

I started interacting more with the folks who were creating the porn—the filmmakers, the porn stars, the photographers—and I wanted to support their work. I thought it was important for them to be able to get paid to do this work, so that they could keep doing it and not have to go do some day job they didn’t really like and then stop making porn.

(You can rent the original Crash Pad: Director’s Cut film on Pink Label, and if you’ve never seen it, you’re in for a treat.)

So! Fast forward a few years, and I’ve been watching the online Crash Pad Series religiously. (I mean really: my boy & I have a tradition of watching porn and having pancakes on the weekends, which I consider another form of worship.) I get really behind and don’t always keep up with the new episodes, but because sometimes reviewing porn is part of my job, I love excuses to catch up. Like this one!

So I started watching backwards from the most recent season, and picked some of my favorite more recent scenes to feature and share with you. These all have strap-on play in it, because, well, that’s kinda my thing.

Without further adieu …

Five Amazing Crash Pad Strap On Scenes

Episode 152: Chocolate Chip & Nikki Darling

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This is box title
“Back so soon, Nikki Darling? And with one of our favorite flavors, Chocolate Chip – a face long-time fans are sure to recognize. After spending a little time cuffed to the bed, Nikki ends up on top of Chocolate’s RodeoH-secured cock. Vigorous cock-sucking ensues, before it’s Chocolate’s turn to bend over for some hot rimming and a magic wand ride. I like the way that cookie crumbles.” – Keymaster

Episode 164: Nikki Hearts & Rizzo Ford

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This is box title
“When Nikki Hearts brings green-haired, giggling Rizzo Ford to the Pad, things heat up fast. Rizzo has orgasm after shivering, shouting orgasm thanks to Nikki’s strap-on skills before returning the favor with her tongue. Come for the hot queer sex, stay for the gorgeous tattoo eye-candy!” — Keymaster

Episode 165: Kimberly Kills & Brittany Bendz

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I don’t know if you guys know this about me, but I kind of have a foot fetish. (Turns out, all those years of adoring shoes? I guess that was a gateway drug.) And finding queer porn with lovely foot play is, well, pretty rare. And two super hot trans queers? Unh I’ve never quite seen anything like this. And I liked it. Um a lot.

This is box title
“Why measure your pleasure by mere inches? For Kimberly Kills, fun comes by the foot. Brittany Bendz’ foot, to be precise, as they close 2013 with a most impressive game of footsie.” – Keymaster

Episode 160: Odile & Daisy Ducati

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This is box title
“Some boots are made for walkin’. Daisy Ducati’s black vinyl skyscrapers are made for licking, and that’s just what Odile’s gonna do, providing service with a smile for Daisy’s boots and cock. These two fuck with delicious symmetry, however, and Odile takes a turn on top after trading bejeweled buttplugs. I hate to speculate, but I think we’ll all enjoy the mutually satisfying conclusion.” — Keymaster

Episode 148: Courtney Trouble, Dylan Ryan, & Chelsea Poe

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Okay, okay, you got me: This isn’t exclusively a strap-on scene, though lots of these have other things in addition to their strap-on play. Though there is an appearance, this is more of a take-down kind of scene. Courtney Trouble & Dylan Ryan are two of my favorite queer porn stars, and Chelsea Poe is so fucking hot in this, and they are fantastic together. So consider it a bonus.

This is box title
“Dylan Ryan and Courtney Trouble were two of the first Keyholders, so I decided to give them a gift… a little something special to break in the new Pad: Chelsea Poe, tied up with a bow. They immediately put her to good use, taking turns with her face between their thighs. Then Courtney finger-fucks Chelsea while getting fucked by an nJoy-wielding Dylan, until Dylan decides to put on a cock and fuck Chelsea’s mouth. Something for everyone as we break in the new digs!” – Keymaster

PS: As a teeny little aside, I ran into this interview I did with Shine from 2010 while I was working on this article, which talks all about her homage to masculinity, Heavenly Spire. I love what she has to say about being a queer and masculine of center / butch pornographer who is interesting in pointing her camera at cis and trans men. And I really love the artful films in that project, too.

PS: There’s a Valentine’s Day sale going on for new members.

crashvday

Coupon Code: 50E expires 2/15/2014. Sign-up!

Must See Porn: Roulette Toronto & Crash Pad #6

I’ve had these two DVDs sitting around for months now and finally had a chance to watch ’em.

The first is Crash Pad Series #6, the continuation of the DVD releases of the Crash Pad’s online queer porn empire, crashpadseries.com. This one features Carson, Casey Grey, Cyd Loverboy, Dylan Ryan, James Darling, Jiz Lee, Princess Donna, Ray, Tina Horn, Syd Blakovich.

I particularly love Tina Horn’s scene in this one, she’s hot and funny and having a great time while not taking herself too seriously. And there is a reason she is famous for her ass—it is gorgeous, oh my Gaga.

Good Releasing has taken over (limited?) release of the Pink & White films, which I’m happy to see. Crash Pad, and Pink & White in general, are hugely cutting edge in the world of porn, but it can’t hurt to get a signal boost from the Good Releasing folks.

I’m really behind on the Crash Pad series! Clearly I should make more time to keep up with the amazing short films (but there are so many). Crash Pad #6 was nominated for the 2011 Feminist Porn Awards—as was Roulette Toronto, the next flick I’m going to mention.

Roulette Toronto features April Flores, Jiz Lee, Dia Zerva, Dylan Ryan, Courtney Trouble, Tina Horn, Drew DeVeaux, Judy Minx, Scout, Lascivia Liberty, River Turner, and Wordman—and many of these stars are my absolute favorite.

The scene with Trouble and Judy Minx is sultry and edgy and hot, with saturated color and sexy sensation play. The trio of Drew DeVeaux, Jiz Lee, and River Turner is in a dance studio where they all get to show off their moves, before moving on to every possible combination. April Flores and Dylan Ryan get it on femme-style, complete with high heels and April’s amazing bright red hair.

And the music! Queer and dirty radical goodness. It is an impressive collection of scenes from director Courtney Trouble (as if we’d expect anything less of her).

And if that description isn’t enough, here’s the trailer. Do I have to warn you that it’s NSFW?

We haven’t had a #pornparty in a while … do y’all miss it? If I did another one, would you come? What if it was free to tune in and watch that film at that particular time? Would you join us? Are you interested in that continuing?

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Crash Pad Series #6 and Roulette Toronto queer porn DVDs were sent to me from Good Vibrations for review. Check out more sex toys, vibrators, and other lovely items at your local feminist queer sex-positive sex toy shop, or online at goodvibes.com.

Heavenly Spire

Yes, this is a bit of an advertisement for queer porn director Shine Louise Houston’s newest project Heavenly Spire, but it’s also a commentary on masculinity in porn.

I’m sure I don’t have to work too hard to convince you that for as many limited, limiting, stereotypical, heterosexist notions in porn that exist for women, there are just as many that exist for men. Men are portrayed as the domineering, dominant, in charge, virile, muscular, top character in virtually every way in the porn industry, a depiction that hurts and polices the vast range of male sexualities—just as depicting women as the receptive, passive counterparts is hurtful to women.

And while there is a huge world of queer porn out there, most of the ethical, thoughtful, gender-aware is trans or female, and there hasn’t been many explorations of masculinity through video and porn.

Until now!

Here’s some wording from the official press release of Houston’s beautiful Heavenly Spire project:

After making a name for herself directing beautifully shot dyke/queer porn, Feminist Porn Awards’ Visionary Director Shine Louise Houston has turned her sharp eye to the gays.

Vivid-Ed director Tristan Taormino touts Houston as “one of the most influential, groundbreaking and talented queer filmmakers of this century.” Advocating that women watch gay porn, Taormino enthusiastically took note of the new site, commenting: “It features a group of ethnically-diverse models and couples, genuine chemistry, and Houston’s signature stunning cinematography.”

By dedicating the site to masculine beauty and sexuality and how it manifests on different bodies, Shine Louise Houston pushes the boundaries of a new visibility in gay porn: HeavenlySpire.com equally casts queer males as it does transsexual men. This inclusion is a rarity in gay male pornography.

Models share an intimate interview where they disclose their personal fantasies, describe their sexuality, turn-ons, and what they physically like about themselves and one another.

While partially inspired by her love for gay male porn, Houston’s vision for HeavenlySpire.com came mainly from within. Says Houston, “Heavenly Spire is a personal project for me. Accepting my own masculinity has really allowed me to feel okay with desire for masculine people. Exploring it on the site really looks at male bodies the way I want to.”

It sounds all smart when described like that, huh? And yes sure, of course it is smart, it is intentional and thoughtful and the filming is just fucking beautiful. But let’s not forget that it’s also way hot.

Sometimes as a dyke I am a little hesitant to recommend porn with cisgender men in it, as I can frequently get the “ick factor” reaction from other dykes: “Ew.” But as someone who is increasingly cock-centric, and, I’ll admit, sometimes a bit fascinated to the point of fetishizing cocks, I have got to say that this site is not just thoughtful and beautiful but also fucking hot.

So thank you, Heavenly Spire, for being a sponsor of Butch Lab, and for bringing new and exciting visions of masculinity and a masculine sexuality into the porn world. I can’t wait for the DVD.

Best Anal Scenes in Queer Porn

According to me, anyway. Essin’ Em and JD Bauchery also gave their opinions for Anal Week (which has extended longer than a week, but is still tagged, so it works. You don’t mind, do you?), but at this point, I’ve done enough queer porn watching and research to have gone through the scenes I wanted to and picked a list.

Warning: these photos are NSFW. I don’t post a lot of explicitly nude photos here, I know, I try to keep it at least kind of safe for work, but I just can’t resist putting some really great screenshots in this post, so you know what you’re missing, if you haven’t seen ’em.

All screenshots were snagged by me through Hot Movies for Her, and reprinted only to promote the films.

1. Dylan, Jiz Lee, & Jo in The Crash Pad (Scene 1)
Directed by Shine Louise Houston for Pink & White

I have a special place in my queer-porn-lovin’ heart for the original Crash Pad. It’s the project that launched The Crash Pad Series online, and has raised the bar for queer porn production everywhere. Shine Louise Houston set up a wonderful premise—that there is this mysterious apartment called the Crash Pad, which you can acquire the key for, and go there to fuck—that has led to scenes that are real, not campy, not bogged down in falsified plot, but still capable of some twists and turns.

Like this one: Dylan & Jo are having a good time fucking in The Crash Pad until Jiz and Jiz’s date show up too. Jiz joins in, while her date watches, and the resulting threesome is hot. The Crash Pad also sets up the porn careers for Jiz, Syd, and Dylan, and thank goodness it did. Isn’t the world a better place because we get to watch these beautiful, skilled queers fucking? Absolutely.

2. Syd Blakovich & Jiz Lee in The Crash Pad (Scene 3)
Directed by Shine Louise Houston for Pink & White

Syd Blakovich (credited as Shawn) and Jiz Lee are popping off the screen with chemistry in this one. I’ve heard some of the backstory (some of it they explain in the bonus features of Superfreak), that they hadn’t had sex in a few weeks and weren’t sure if they were going to continue fucking, so this might be their last hurrah. Thankfully for us, it wasn’t, and they’ve gone on to making a ton of queer porn, with each other and on their own.

In this scene, they both look very boyish (boiish?), lean, and super-short hair, and the intensity is riveting. Syd’s rimming is pretty amazing to watch, as is Jiz’s squirting all over Syd, later.

3. Rozen Debowe, Syd Blakovich, Jiz Lee, & Donny in No Fauxxx Roulette (Scene 5)
Directed by Courtney Trouble for Reel Queer Productions

Yeah, it’s Syd & Jiz again—I want diversity in this list, but they are just in so much good porn! So: here we’ve got director Courtney Trouble (who runs No Fauxxx) in a great video collection of scenes. This one is my favorite by far (I don’t even remember the others in this film), I’ve watched it quite a few times. Rozen Debowe—who I think is so incredibly hot and who, I’ve heard, has retired from porn, and who I think should make more—approaches a bartender, spreads her beautiful long legs, and proceeds to get fucked by three butches. Or, three masculine-ish-queers, if they don’t identify as butch.

In this screenshot, Rozen is on top of the bartender, Donny, Syd has a Pure Wand in her ass, and Rozen sucks Jiz’s cock. And, it gets better. Plus, they’re on a pool table.

4. Lorelei Lee, Princess Donna & Dana DeArmond in Superfreak (Scene 5)
Directed by Shine Louise Houston for Pink & White

Lorelei Lee and Princess Donna have done quite a bit of hot queer porn also, appearing in The Crash Pad Series and on various other sites. In this one, they’re joined by Dana DeArmond, and Lorelei is topped with some really hot anal, mostly with fingers and rimming. They’re sexy and clearly very skilled (though I have to kind of ignore all the whimpering of Lorelei and humming that the two top girls do. Maybe you like that kind of thing, I find it distracting). In some of the interview scenes, Donna and Lorelei say, “I wish we could’ve gone all the way,” in discussion of anal fisting. It’s illegal to show fisting on video, did you know? Not on the web, though, so you can find some great stuff in The Crash Pad Series.

5. Dylan Ryan & Trucker Cash in Roulette Dirty South (Scene 2)
Directed by Courtney Trouble for Reel Queer Productions

I couldn’t leave out my favorite porn couple! Dylan Ryan and her real-life partner Trucker Cash are so damn hot in this scene. I love the bright colors, the clothes they’re both wearing, that slightly rickety table that they fuck on, the way Trucker warms up her ass before taking out his cock and fucking her until she comes hard, shaking and swearing.

When Trucker unzipped and I saw he was packing the Goodfella, I thought, wtf? That cock is so small! But then, turns out it is a very good size for anal. Note to self.

6. Nicole Chatte & Peter Danger in Heartland: A Woman’s POV (Scene 1)
Directed by Madison Young for Reel Queer Productions

This last one comes from director and porn star Madison Young. She introduces the scene and explains that she found this couple because they’d contacted her online, and they agreed to be filmed.

I had a crush on Nicole the second she came onscreen. It’s filmed by Peter, I think—or, if not by Peter himself, than from Peter’s point of view of seeing Nicole, so we don’t get too many shots of him (too bad, cause he seems really hot and skilled, I’d like to watch him more), but I did like watching Nicole. It starts off with a beautiful blow job by Nicole, and leads into her getting fucked hard while she’s backwards in this beautiful worn-in leather chair. It’s a bit more amateur-ish than the others, but I especially love the way Nicole guides her lover, saying, “will you start out with the small one, then use the bigger one?” and then, later, “faster, go faster,” which Peter happily obliges. The scene is really sexy and goes on for a while, with various different positions. Nicole even asks Peter to fist her, at some point, but since that can’t be shown on the video, we don’t really get to see it.

Whew! Okay, that covers it, my current favorite anal scenes in queer porn.

While porn isn’t the best place to learn how to do a certain act, it can certainly be inspiring to watch and recognize how much pleasure everyone is having from the things they’re doing. It’s definitely been inspiring to me to try more.

Did I leave out YOUR very favorite scene? Which one looks like the one you’re going to rush out and watch right this minute (or, as soon as you can)? Got any must-see recommendations for me from Essin’ Em or JD Bauchery‘s lists that I haven’t included?

Happy Solstice Crash Pad Series Membership Giveaway

Though I did grow up celebrating Christmas, my family is not particularly religious. I’ve been to Christian church services probably less than a handful of times (I can think of twice, off the top of my head). The past few years, I’ve resolved to celebrate the holiday as winter solstice, rather than Christmas – we’re getting more and more broad in our “happy holidays” wishes, more inclusive, I think, in the mainstream, and the difference of celebrating on the 21st instead of the 25th is negligible.

My family still does gifts on Christmas morning, and that’s fine with me – tradition, familiarity, ritual. But being some form of pagan & buddhist, what I’m really celebrating here is the darkest day of the year, and the return of the light.

Winter solstice is an astronomical event. It has to do with the placement of our Earth in the solar system, the rotation of the Earth’s axis, how we spin around the sun. It is the day – in the Northern hemisphere – where the hours of daylight are the shortest, and from here until summer solstice, they build to longer and longer hours of daylight.

The Winter Solstice occurs exactly when the earth’s axial tilt is farthest away from the sun [in the Northern hemisphere] at its maximum of 23° 26′. Though the Winter Solstice lasts only an instant in time, the term is also colloquially used as Midwinter to refer to the day on which it occurs. More evident to those in high latitudes, this is the shortest day, and longest night, and the sun’s daily maximum position in the sky is the lowest. Worldwide, interpretation of the event has varied from culture to culture, but most cultures have held a recognition of rebirth, involving holidays, festivals, gatherings, rituals or other celebrations around that time. – Winter solstice at Wikipedia

That last part is especially interesting to me – that most cultures have holy days around this time of year, that many of the festivals involve pretty lights or candles (to signify the darkness and cold days), family gatherings (to signify love and support despite the potential affects of SAD), gifts (to show how we are cared for), and resolutions (symbolizing rebirth and renewal). And to me, the ritual that is the least stripped of human prosthelytizing is the one that celebrates the earth, the seasons, the move around the sun, the changes in our relationship to light.

I’ve often mentioned the Wheel of the Year here on Sugarbutch, and have often said it is something that I’d like to more intentionally observe. And the combination of Kristen’s obsession with eating seasonal, local foods, means that I’d really love to throw four wheel parties next year, at the solstices and equinoxes. (There are four lesser holy-days too – candlemas, beltaine, lammas, samhain – that occur at the midpoint between a solstice and an equinox, and I would love to do something to acknowledge them, too, but I’m not sure what – probably not a whole dinner party, just lighting a candle and acknowledging the day – perhaps with a blog post – would be plenty.)

So, Kristen made dinner: butternut squash soup with ginger, garlic, and peanuts, kale with garlic and butter, baked sweet potato fries, and cardamom-orange sugar cookies, on Monday, December 21st, in celebration of solstice, and we talked about the rebirthing process, the things we wanted to allow to blossom in our lives as the days get longer through to the summer solstice.

This is the post where I wish all my best to YOU all, readers and visitors, friends and strangers. Thank you for reading, for following along, and I wish you the best and brightest in this dark time of year.

Oh, but my spiritual beliefs probably aren’t why you’re reading this post. What you really want to know about is the giveaway, right?

Well here it is: to warm your midwinter, I’m giving away one single two-month long level 2 membership to The Crash Pad Series, which I am constantly touting as THE BEST QUEER PORN available. Hands down. No contest. Anytime Kristen and I watch anything else, we usually say, “well, it’s not Shine, but …”

I made up this rule for myself oh, about ten years ago, that I would never pay for porn on the internet. And it’s pretty easy to keep that rule, with all those big amateur porn sites and an easy enough Google image search and all the trailers and freebies at the good porn sties, sure. But as soon as I got a Crash Pad membership, I kicked myself: why didn’t I do that sooner?! It really is that good. It might not even be the best queer porn, it might be the best porn, PERIOD. The skill and smarts and aesthetic and filmmaking … even the premise! I love it. I anxiously await the next episode.

There are so many different types of queer folks depicted in their scenes, no matter what kind of queer you are attracted to, or what kind of sex you like to watch, there is tons of it in The Crash Pad Series. Strap ons. Vibrators. Punky girls. Tattoos. Piercings. Shaved heads. Femmes. Butches. Long-term lovers. Skilled rope work. Belts. Flogging. Slapping. Fisting. Anal. Knives. Force. Negotiation. Melted wax. Punching. Threesomes. Squirting. Sweet lovemaking. Begging. Dirty talk. Oh yeah, there is a little bit of everything.

For some of my favorite scenes from The Crash Pad Series, check My Favorite Scenes in Porn Flicks. And if that’s not enough, watch this teaser, featuring Julie and Michelle Aston.

The Crash Pad Series also puts out DVDs, many of which I have reviewed here on the site, but for about the price of the DVD, I’d recommend instead a one-month level 3 membership, which has permissions to download the videos that you like. Then you can test it out, go through and find the ones you want, and download them. The DVDs generally have about 5 scenes on them, but with a site membership you get access to every episode, and can save your favorites.

Tell ’em Sinclair sent you. (That’s the same as using that link < —- to purchase a membership, since if you do it through my links on this site, I get a little bitty kickback from the purchase. I’ll even do my Elvis impression for you: thank ya, thank ya very much.)

How generous of The Crash Pad Series to offer a membership to one of you lucky folks! Thanks!

So, to enter this little giveaway:

Leave a comment with one thing about the holidays: why you love them, what your favorite family ritual is, how hard it is to be queer and deal with extended homophobic family (h/t Essin’ Em), the ways you keep your kinkiness under wraps in order to be “appropriate,” your blessings for brightness in the wintertime, your favorite thing about winter, the way you celebrate this time of year, or something else entirely. You get the idea. The winner will be chosen at random from the comments on Monday, 28 December, after we’ve all had a chance to eat with our families and come back to our queer lives.

Review: Crash Pad 4 (DVD)

cp4“This is another unmissable installment of the finest feminist lesbian porn series around.”

First, I have to confess, I have completely misplaced the Crash Pad #4 DVD that Blowfish sent me. I keep thinking it’ll show up, but I’ve cleaned my room and I am generally pretty darn organized – I just have no idea where it went.

And then I saw the the announcement that Crash Pad 4 is officially out and available on the Blowfish Blog and thought, aw shit. Better get moving on that review.

So Kristen and I settled in to some blueberry pancakes, logged in to my Crashpadseries.com account, and set to watching each of the episodes individually.

Here’s a scene-by-scene recap, with a couple thoughts:

  1. Brooklyn Flaco and Carson. Both are genderqueer and boyish, though when Carson’s hair comes down she starts looking more feminine and I really liked that (obviously, my bias shows through here). Lots of I-do-you-you-do-me switching (or, your-turn-my-turn sex, as another friend says), using their hands with no cocks or toys. I was getting into it when Brooklyn starts fucking Carson at the end, but then Carson doesn’t really come – or, if she did, it was kind of imperceptible. I was expecting a big finish. Their scene was too quiet – where’s the dirty talk? Where’s the noise? Where’s anything aside from heavy breathing?
  2. Jiz Lee and Dallas. Both genderqueer and boyish, with a big bag of toys to share. They are clearly into each other and having a great time. I think Dallas is freakin hot – especially when she’s toppy – and the whole scene is really playful. Jiz gets fisted [which I believe you can’t show in a DVD, so the online episode is probably a bit more explicit than what you’d see if you purchased it] and squirts, which I always like to see. 
  3. Toppy Sadie Lune and sub Tricksie Treat. They enter into the scene with some roleplay which felt awkward and forced, but I did like how Tricksie submitted, later. We skipped through most of this one, it was awkward and actually kind of hard to watch.
  4. Butch Cash and femmey Stella. Cash is in a button-down and tie (hot!), Stella’s hipster hair was distracting. Stella straps on and fucks Cash for a while, and Kristen’s favorite part was when Stella’s fingers were in Cash and Cash jacks off, and comes hard. It’s actually kind of rare to see a butch getting off in porn, and I have a feeling Kristen will go back to this scene for that part especially. I found myself getting kind of uncomfortable a few times – is that what I look like? I look like that, don’t I? – feeling exposed, but also a little fascinated with the ways that masculinity plays on a female body. The scene closes with doggy-style fucking – this time Cash is strapped on – and Stella comes hard, and hot. I’ll watch this one again.
  5. Top Ex and sub Muscle Beach. MB is very boyish and fucking adorable – I will definitely look her up and watch more scenes. Ex is a badass top, very impressive and clearly very skilled; she’s got this long hippie hair, round body, and nice smile, which made me think she was going to be a sweet and kind of motherly top, but she was a badass daddy type and her confidence and expeirence as a dom were mesmerizing. It seems obvious that she and MB haven’t played together (much? at all?) before, were surprising each other a little bit, but turns out I’m WAY wrong about this – according to their bios on Crashpadseries.com, they are long-time lovers! It’s definitely clear that they had a repor, laughing, playful, having a great time together. Ex does some ropework, some humiliation (ashing her cigarette into MB’s mouth? Ew), and orders some bootlicking … she gets her cock out and Kristen exclaimed, “well, that looks familiar!” Indeed it was the same one I was wearing, occasionally groping, as we’d moved from the kitchen with our pancakes to the bed to watch the final few episodes. I’d watch more with Ex, I think she’s got a few more scenes on Crashpadseries.com if I remember correctly.

Overall: the sex is skilled, the chemistry is hot, the depictions of queerness are real and varied. I will probably watch the butch/femme scene again, but generally this isn’t one of the DVDs I’ll watch over and over. Of course, I have a particular bias toward the butch/femme dichotomy, so generally that’s a prerequisite for scenes that I watch again and again.

One of the questions Kristen and I kept kicking around was, where are all the butch/femme couples in porn? I mean, I know it’s all passe to be pro-labels and into the butch/femme dynamic, but there seem to be a real lack there. There’s a lot of genderqueer folks fucking other genderqueer folks, there’s quite few femmes … but where’s the butch/femme? If you’ve got recommendations, let me know.

While I’m talking about it, here’s a note about Crashpadseries.com: I put off getting an actual membership for a long time – long after I’d seen the DVDs, long after I’d watched the trailers and freebies on the site (over and over and over). I mean, the internet is for porn, right? I have this general philosophy that I just don’t pay for porn on the internet, that I don’t subscribe to websites.

But damn if I wasn’t missing out. Now that I have a full membership, I really wonder what took me so long – and I kick myself a little for not getting the membership sooner.

This is the best porn out there, people. If you’re willing to spend $35 on a DVD like this one – and you should! because it’s amazing – consider spending $35 on a month-long membership to Crashpadseries.com and trying it out. You won’t be disappointed, I guarantee.

blowfish

Review: Pink & White’s Champion

To all of you who just complained that there are no butches or real sex on the L Word.

To all of you who don’t have a favorite porn star.

To all of you who think that lesbian porn is hetero-made and consists of two pretty girls with French tips tongue-kissing.

To anyone who likes hot butches, bois, trans guys, femmes, and other genderqueers.

Watch this film.

Buy it, and watch it, and tell your friends about it.

Watch it, and praise it, and buy and support the other amazing things that Pink & White does, too.

Queer porn director Shine Louise Houston’s new indy flick CHAMPION was released on DVD by Blowfish this week, and last night I sat down and turned it on.

I twittered some of my immediate reactions:

  • oh my god, the noises that Madison Young makes. oh. my. god.
  • what cock is it that Syd & Madison are fucking with in this second scene in Champion?
  • I am loving the original score on this Champion film.
  • @blowfishtwitter oh I <3 you.
  • :O what is that behind-the-knees spreader bar used on Dylan Rion?!? oh I so need one of those.
  • shit – it’s a golf club? and rope!? jesus, note to self.
  • why isn’t there more dirty talk in porn? just lots of moans & grunts … that’s sexy too, but c’mon, let’s hear some good words.
  • I actually had a dream that crash pad series #4 was already out and published. dammit. at least there’s #3 and Champion!

Toward the end of the flick, my jaw still hanging open in awe and having barely moved from the spot where I sat down, I realized: no one but Syd Blakovich could’ve played the lead role of Jessie. I imagine it was made for her – she’s worked with Houston in the past, and so Houston must know about Blakovich’s MMA and Ultimate Surrender credentials, plus precisely how skilled Blakovich is as a top in scenes.

I loved the training sequences, Blakovich’s punching and kicking at gym equipment with hard, concentrated looks on her face, muscles straining and rippling. Especially juxtaposed with the sex scenes – almost all of which feature Blakovich – the bodily similarities were heightened and the fighting sequences were amazingly erotic.

Speaking of sex:

Blakovich pairs with an amazing cast of porn stars throughout. Her real-life partner Jiz Lee makes more than a few appearances (as Jessie’s ex), and it is so obvious that they know each other’s bodies.

The scene with Blakovich and Madison Young is amazing. Amazing. If Champion had a spine, I would surely break it right at that scene. Young has orgasm after orgasm, and I actually wondered at one point if she was going to be torn apart from the intensity – Blakovich does not let up, and oh my god what Young can take as a bottom blows my brain. The power and strength with which Blakovich was pounding away at Young’s inner thigh, at one point – and Young just opened and took it, gasping, and holy fuck it was hot.

Morning after, Blakovich delivers my favorite line to Young: “No one’s keeping you here, honey.” I gasped at the screen. Did she just kick Madison Young out of bed?! Shit.

(Remember that time I wrote about Avah fucking Madison Young? Yeah, me too.)

Blakovich is also, eventually, paired with her character’s rival, Dallas (playing Violet), at the end of the film (not to, ahem, give away the plot or anything). The scene is more tender than others, but still very hot. I really love the way Dallas makes noise, very low-pitched and incredibly hot.

Blakovich is not the only one who gets to fuck – Dylan Rion gets her chance with Javier, in a hot hot scene in a van involving an impromptu spreader bar at her knees made of (I think?) a golf club and rope. She’s one of my personal favorite bottoms in all the porn I’ve seen, so that scene definitely sticks out.

And plus? Rion leaves her heels on.

Even Houston makes an appearance, briefly, as a reporter.

Pink & White – Houston’s production company – and Houston herself – have been hailed again and again as innovative, cutting edge, and authentic, and though it is starting to sound redundant, I can’t not praise her vision: she directs real genderqueer porn, with butches, femmes, bois, and trans folks, in real scenarios with real sex that both inspires and reflects my own sex life. I never saw myself reflected in porn until I started watching Houston’s work – and for that, I will pick up every DVD Houston releases, to support her.

Buy the DVD from Blowfish or from your local women-owned sex-positive sex shop.

Watch the NC-17 version of the trailer, or the PG-13 version, below: