I’m pretty excited about this album. I caught the preview when it was up at whichside.net and it came out yesterday, now it’s $3.99 on Amazon for the mp3 download if you’re into that kind of thing. And considering I’m trying to figure out what to do with my massive CD collection that is doing barely anything more than collecting dust, I’m not buying any new CDs anytime soon. Even Ani CDs.
I keep seeing write-ups that say—essentially or literally—”I think it’s safe to say at this point that the Ani many of us grew up on and love dearly (the self-titled/Out of Range/Dilate Ani) is dead and buried.” I find this kind of insulting, like saying that Tori Amos’s newest album isn’t Little Earthquakes, or my mom saying, “my little girl is gone” (hypothetically—my mom would never say that). I guess growth is important to me. These aren’t the only comments being made: in this Bitch Magazine interview says, “As I grew up and went on to college, Ani’s music came with me. ” But I hear the other kind of commentary more frequently.
I think there is a larger point attempting to be made with comments like that above, which is if you let go of your old expectations and really listen to the music she’s creating, there are some amazing things here, too, but I guess we as queer communities are holding too closely to the idealized Ani from the 90s. Personally I loved her dissonant sounding string of Evolve, Educated Guess, and Knuckle Down, I loved Reprieve, though I didn’t listen to Red Letter Year much. Not because it was happy, but because the lyrics and music seemed so thin.
But this one … more dense, more things to sink my teeth into. I’m glad to hear her use the word “feminism” in a song, though I question a little bit the nuance of her conversation in “Which Side.”I guess I like seeing the grey in-between things, and less worried about which side of the black or white.
Maybe I’ll get a more nuanced understanding of it after I spend more time with the album. I just downloaded it last night and look forward to having it on repeat today. Curious what your thoughts are—do you love the old Ani? Do you, like Jesse James, think her edge ended when she sang “I’m not angry anymore”? Are you looking forward to this album, do you like what you’ve heard?